…Fans of the Jesus and Mary Chain, the Pixies, and the Church will find the four-piece proudly wear their influences on their guitar strings, churning out fuzzy melodies and moody kickers…" The Stranger
“With a kickass shoegazer band like Black Nite Crash, what stands out… is the way they maintain an upbeat tempo through the majority of their material as opposed to expounding and expounding and expounding on the drama behind their music…” Tablet Magazine
"Not to be confused with other girl/guy shoegaze bands (like the dreamier Lush, for example), Black Nite Crash is on the opposite end of the spectrum - heavy on the pedals, full of grit, and dark like the night." Philly Girl About Town...read more>>
Black Nite Crash is one of Seattle's finest offerings, featuring impenetrable layers of guitar effects, bombastic drumming and vocals that sound as if they were screamed down through the communication system of the faulty Mars rover. This gives the band a gritty edge and frightening intensity, unlike some of their more melodious and dreamy peers… " The Seattle Post-Intelligencer
KEXP Blog 10-20-2008...live in studio>>
"Black Nite Crash are the total package, not only excelling in evoking a guitar drenched melancholy sound, they have the songs to go with it. Drenched in blue light up on the Chop Suey stage, the band seemed to exhude a cool confidence.." The Finest Kiss...read more>>
"I've been talking about Black Nite Crash since I saw them close out the Northwest Shoegazers Nite … that was when I caught their… cover of Adorable's "Homeboy" that left me weak in the knees. During the course of [their most recent] show, I became even more impressed with their distinctive next step in Shoegazerdom. Their evolved version of perfected territory left me bemused and excited. They've taken what they've learned from the masters and built songs that hypnotize with their enveloping guitar swirls, resonating vocals, and impenetrable rhythmic tidal waves. The result is songs that fill an empty room and stun." threeimaginarygirls.com




